Monday, 20 June 2011

Paper Women Progress, and Thank you

This is a BIG Paper Thank You to Carolyn Dougherty, Jess McCabe and all of the really useful, exciting, and all round interesting comments on the F Word (the pointers towards people working on similar ideas especially useful!)




In the spirit of this new found think about Stuff, Paper Women would like to hold a meeting/discussion/preparation for an action in Bristol some time this summer (or this rainy season as the case may be...): probably before August.

If anyone is interested please email me at paperwomenbristol@gmail.com

xxxxx


p.s. Paper Women wrapping around Samuel Morely are Still There!!

Saturday, 28 May 2011

Paper Women Remains...

As of Yesterday, Paper Women remained, very much as remains, around the Samuel Morley-- surviving the rain and the winds of your average Bristolian Summer.









The rain and wind have made the names all the more beautiful (the Scratched Rosalind Franklin, the Crumpled Diana Ross...)


Another of Bristol's Statues is having some attention this week, with Edmund Burke becoming the home for a protest camp in support of the Spanish protests, and one PW definitely supports this use of public art/space!!

xxx



Sunday, 22 May 2011

Re-Facing Bristol!
















Samuel Morley, the Cloaked Horseman, Queen Victoria, and the exceptionally bizarre Dung Beetle All got Paper Womenised!



Paper Women's Saturday in Bristol...






In recognition and celebration of the faaabulous exhibition, memories, and event that was/is/will be Sistershow and Sistershow Revisted, PW Bristol took off her dressing gown, oiled her creaky bones and actually went out on a Saturday Night, for the thrill of refacing Bristol's Boooring Bronze statues with mountain climbers, poets, singers, writers, artists, scientists, activists, revolutionaries, mothers, sisters, daughters, grandmothers, professors, scientists, classicists, myths, question marks, and you...

We made beautifully paper women with hats, trousers, bustles, tu-tus, all tall, short, skinny, fat, soft, hard, ragged around the edges or more neat. A Big Thank You to the creativity and scissor-skill of one PW!


Wednesday, 18 May 2011

SATURDAY 21ST MAY 2011 FROM 7PM

Saturday 21st of May 2011, from 7pm Paper Women take over the Centrespace Gallery (6 Leonard Lane) in Bristol for an evening of sharing memories, stories, laughs and snacks, making, and re-making Paper Women and some good old cultural activism!

Come along and bring: paper, thread, string, wool, glitter, pink , feather boas, a sense of humour and memories and names of women to share, make and re-face Bristol!

email paperwomenbristol@gmail.com for more info


And a BIG THANK YOU to Debi Withers for this!

las mujeres de papel... in bronze: photos











las mujeres de papel... papewomen in spain

Clara Campoamor (1888–1972): Anna Jonsson's Seville Sculpture.

Walking through the hot streets of Seville at the weekend, like you do if you're a Paper Woman in need of sun and cerveza, I came across this sculpture.

The 2007 sculpture is by Sevillian based Swedish artist Anna Jonsson (http://www.annajonsson.com/) and celebrates the life and work of Spanish politician, feminist and women’s reformer Clara Campoamor.

Born into a working class Madrid family, Clara began work as a seamstress at 13. She worked to get herself into law school and continued working to support her degree. At the age of 36 she successfully completed her law degree and four years later, 1928 she established the Federation of Women Lawyers.

In 1931, in spite of being unable to vote in the election (because she was a woman!), Clara stood for a seat in the Constituent Assembly. Her staunch, impassioned advocacy of women’s rights met with oppostiton from the conservative religious parties, and the men on the left who felt she was doing disservice to worker’s rights by focussing on women... In spite of all the opposition, Clara secured equal legal status for men and women in the constitution.

At the outbreak of the Civil War, Clara fled to Switzerland, fearing her life. She remain there in exile for the rest of her life. She was repatriated only after her death, with her ashes being buried at San Sebastian.

Anna Jonsson’s beautifully intricate sculpture embodies some of the key ideas of Paper Women. Books engraved with “Historia el limbo” (History in Limbo) and “Historia Invisibles” (Invisible Stories), and keys and locks, and Anna and Clara’s names written onto bronzed books—this is the commemorative practice which Paper Women seeks!

Muchas gracias Anna y Clara--- for remembering to us why it is we care and for showing us who to do it!